年の音楽制作ソフト(Daw)ベスト15 – 完全ガイド – TechEye – Knowing the Limitations of Plug-in Latency Compensation

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それが今回取り上げる「 Delay Compensation 」 直訳: 遅延補償 機能 。. まずはこの「 Delay Compensation 」 直訳 :遅延補償 機能 を有効にするところから始めるのがおススメです。. Ozone 9 Elements などの Ozone シリーズでは、 DAWソフト 上で プラグインとして使用 することができます DAWソフトにも依りますが 。. ループ音源 というのは、いわばエンドレスリピート再生可能なように、 末尾と冒頭 が つながるように処理 された 音源 のことです。. 同一になるのは、サンプル数ではなく、遅延時間なので、 対象のサンプリング周波数が変われば 、 遅延サンプル数 も 変わります 。.

また、Ozone 9 Elementsの画面内にはOzone処理をバイパスする「Bypass」ボタンがありますが、こちらを押して処理自体を無効化しても、遅延だけは生じます。. しかし、同じバイパスでも、Ozone 9 Elementsプラグイン自体をソフト側 呼び出し元 でバイパスさせる分には、遅延は生じません。. This type of plug-in latency compensation can result in a slight lag in playback performance, depending on how much latency is being compensated. Delays in playing back audio, whether caused by a plug-in or by the plug-in latency compensation feature, can result in your performance being out of time.

Audio and Software Instrument Tracks: If you have inserted latency-causing plug-ins only into audio or instrument channel strips, choose this option. All: If you have inserted latency-causing plug-ins into aux or output channel strips, choose this option.

Logic Pro delays all audio streams by an appropriate amount to keep them all synchronized with each other. Note: The Low Latency Monitoring button does not appear in the control bar by default.

最も簡単な実施例においては、ゼネラル・インスツルメント社やサイエンティフィック・アトランタ社などの製造による市販のコンバータ・ボックスを修正し性能を高めて、セットトップ端末220の機能を実行させる。好ましいグレードアップは、コンバータ・ボックスに電気的に接続される、又は挿入されるマイクロプロセッサを備えた回路カードである。 6.リモコン装置 加入者とセットトップ端末との間の通信のための主要なコンジットは、加入者インターフェース、好ましくはリモコン(リモート・コントロール)装置900を介したものである。このインターフェースを通じて、加入者は、システムのメニュ駆動方式を介して、又は、実際のチャンネル番号を入力し特定のチャンネルに直接アクセスすることによって、所望の番組を選択し得る。このインターフェースを用いることによって、加入者は、一連の情報を与える番組選択メニュ内を行き来できる。メニュ駆動型、アイコン、又はアルファベットによるアクセスを使用することによって、加入者は、選択のためにメモリーから呼び出して実際のチャンネル番号を押下するのではなく、単にただ1つのボタンを押すことによって、所望の番組にアクセスできる。加入者は、リモコン900上の数字キーを用いる(対応するチャンネル番号を押すこと)、又は、メニュのアイコン選択肢の1つを用いることによって、レギュラー放送や基本的なケーブルテレビ局にアクセスすることができる。 In the simplest embodiment, a commercial converter box manufactured by General Instruments, Scientific Atlanta, or the like is modified to enhance performance and perform the functions of set-top terminal A preferred upgrade is a circuit card with a microprocessor that is electrically connected to or inserted into the converter box.

Remote control device The main conduit for communication between the subscriber and the set top terminal is via the subscriber interface, preferably a remote control device Through this interface, the subscriber can select the desired program via the system’s menu drive system or by entering the actual channel number and accessing the specific channel directly.

By using this interface, a subscriber can navigate back and forth within a program selection menu that provides a series of information. By using menu driven, icon or alphabetic access, the subscriber can select the desired channel by simply pressing a single button rather than calling from memory and pressing the actual channel number for selection.

Subscribers can access regular broadcasts and basic cable television stations by using the numeric keys on the remote control by pressing the corresponding channel number or by using one of the menu icon choices. 加入者が容易にケーブル・システム200と対話可能になることに加え、加入者インターフェース900の物理的な特性が、システムのユーザとの親密性を向上させなければならない。リモコン900は、ユーザーの手のひらに容易に適合しなければならない。好適なリモコン900のボタンは、加入者が容易に識別できる絵で表したシンボルを含む。また、同様の機能を実行するボタンをカラー・コーディネートするとか、区別可能な手触りにしてシステムのユーザーとの間の親密度を高めるようにしてもよい。 7.メニュ駆動型の番組選択 メニュ駆動方式により、加入者は、映画のヒット作から、スポーツ特集や特別番組までにわたる全ての主要なメニュにワンステップでアクセスできる。主要メニュのどれからでも、加入者は、カーソルやアルファベットによるアクセスによって、順番に、サブメニュやマイナーメニュにアクセスできる。 In addition to making it easy for subscribers to interact with the cable system , the physical characteristics of the subscriber interface must improve intimacy with the users of the system.

The remote control must easily fit in the palm of the user. The buttons on the preferred remote control include pictorial symbols that can be easily identified by the subscriber. In addition, buttons that perform similar functions may be color-coordinated, or may be distinguished from each other to increase intimacy with the user of the system. Menu driven program selection The menu driven system allows subscribers to access all major menus, from movie hits to sporting specials and special programs in one step.

From any of the main menus, subscribers can access sub-menus and minor menus in turn by cursor or alphabetic access. この好適実施例で用いられるメニュには、番組選択メニュと番組間(during program)メニュとの2つの異なるタイプのメニュがある。第1のメニュである番組選択メニュは、紹介(introductory)メニュ、ホーム・メニュ、主(major)メニュと、サブメニュとから成る。第2のメニュである番組間メニュは、秘密(Hidden)メニュと番組オーバレイ・メニュとの2つの基本(プライマリー)メニュから成る。 There are two different types of menus used in this preferred embodiment: a program selection menu and a programming program menu.

The program selection menu, which is the first menu, includes an introduction menu, a home menu, a major menu, and a submenu. The second menu, the inter-program menu, consists of two basic menus, a secret menu and a program overlay menu.

加入者がセットトップ端末220をオンするとすぐに、紹介メニュが加入者をシステムに歓迎する。紹介メニュには、その地域のケーブル・フランチャイズからの重要な発表、ケーブル提供者からの広告、又は他のタイプのメッセージを表示し得る。更に、紹介メニュは、ケーブル・ヘッドエンド208がその加入者の特定のセットトップ端末220に個人的なメッセージを送ったかどうかを、加入者に知らせることができる。 As soon as the subscriber turns on the set-top terminal , an introductory menu welcomes the subscriber to the system.

The referral menu may display important announcements from local cable franchises, advertisements from cable providers, or other types of messages. In addition, the referral menu can inform the subscriber if the cable headend has sent a personal message to that particular set-top terminal for that subscriber. 紹介メニュ表示された後で、加入者は次のレベルのメニュ、すなわちホーム・メニュに進むことができる。この好適実施例では、ある時間が経過すると、ケーブル・システムは、ホーム・メニュの選択がないとして、加入者を次に進める。ホーム・メニュから、加入者は、全ての番組オプションにアクセスできる。加入者は、リモコン900から適当なチャンネル番号を入力することによって番組を直接に選択することもできるし、又はホーム・メニュから開始する次のレベルのメニュ・オプションを通って順番に進むこともできる。ホームメニュは、主メニュと呼ばれる第1のレベルに対応するカテゴリーを表示する。 After the introduction menu is displayed, the subscriber can proceed to the next level menu, the home menu.

In this preferred embodiment, after a certain period of time, the cable system advances the subscriber to the next, assuming no home menu selection. From the home menu, subscribers have access to all program options. The subscriber can select the program directly by entering the appropriate channel number from the remote control , or can proceed sequentially through the next level menu options starting from the home menu. The home menu displays a category corresponding to the first level called the main menu.

加入者は、順々に続くメニュを通って順番に進むことを選んだ場合には、ホーム・メニュから、選択されたカテゴリーに対応する主メニュに送られる。主メニュは、更に、加入者のサーチを精巧にし、加入者を助けて選択肢へ案内する。 If a subscriber chooses to go in sequence through successive menus, the subscriber is sent from the home menu to the main menu corresponding to the selected category. The main menu further refines the subscriber search and helps the subscriber to guide the choices. 主メニュから、加入者はいくつかのサブメニュにアクセス可能である。加入者は、所望のテレビ番組を見つけるまで、各サブメニュから他のサブメニュにアクセスできる。主メニュと同様に、それぞれの連続的なサブメニュは、更に、加入者のサーチを精巧にする。また、そのシステムによって、加入者は、リモコン900上で適当なコマンドを入力することにより、あるメニュやサブメニュをスキップして、特定のメニュ又はテレビ番組に直接にアクセスできる。 From the main menu, the subscriber has access to several submenus.

Subscribers can access other submenus from each submenu until they find the desired television program. Like the main menu, each successive sub-menu further refines the subscriber search. The system also allows the subscriber to directly access a specific menu or television program by skipping certain menus and sub-menus by entering appropriate commands on the remote control To avoid confusing the subscriber, the set-top terminal does not display the secret menu until the subscriber selects an appropriate option for displaying the secret menu.

The secret menu includes options related to the program selected by the viewer. For example, the secret menu includes options that allow the subscriber to enter interactive mode or exit the selected program.

番組オーバレイ・メニュは、番組の最中に生じ視聴されている番組に関連する点で、秘密メニュと類似する。しかし、番組オーバレイ・メニュは、加入者が選択した番組と同時に表示される。ほとんどの番組オーバレイ・メニュは、加入者が選択した番組を快適に視聴し続けられる程度に、スクリーン上で十分小さく表示される。 B.ネットワーク・コントローラの説明 1.セットトップ端末のモニタリング及び制御 図4には、本発明をネットワーク・コントローラ214を示す。このネットワーク・コントローラ214は、加入者の家庭での番組選択をモニタし、正確な口座及び料金請求情報を維持し、加入者のチャンネル・アクセスを承認したり、特定のセットトップ端末220がこのシステム内で動作することを許す。 The program overlay menu is similar to the secret menu in that it relates to the program being generated and viewed during the program.

However, the program overlay menu is displayed simultaneously with the program selected by the subscriber. Most program overlay menus are displayed small enough on the screen so that subscribers can continue to comfortably watch the selected program. Description of network controller Set Top Terminal Monitoring and Control FIG. The network controller monitors the subscriber’s home program selection, maintains accurate account and billing information, authorizes subscriber channel access, and allows specific set-top terminals to be Allow to work within.

These cable headend components are shown in FIG. The digital RF program signal is received and processed because it is sent to the subscriber’s home via the set top terminal The program signal is a digitally compressed and multiplexed signal that is processed by the cable head end or simply passed through to the network.

In the configuration shown here, processing is performed by the set-top terminal or the network controller according to the configuration. The network controller can also handle services in a foreign language. Sign language can also be provided by using the picture-on-picture function. You can also send sign language on another channel. It is also easy to provide a text overlay at the bottom of the screen for the hearing impaired.

Signal processing for these is performed by the network controller In other embodiments, the network controller can function as a central computer to implement various interactive functions. Such as a game between the set-top terminals and an e-mail. Cable Headend Signal Processor Monitoring and Control FIG.

As shown, the internal components of the network controller include a controller CPU , a database , a control receiver , a local memory , a telephone modem , and the like. The CPU and the database of the network controller can be accessed through an operator control station, which includes a computer workstation, a CRT display, a printer, and the like.

To express. ネットワーク・コントローラ214を動作させるのに必要な情報は、加入者のセットトップ端末220におけるデータベース226とローカルなメモリ230に記憶される。ネットワーク・コントローラのCPU224は、ネットワーク・コントローラ214と信号プロセッサ209との間のインターフェース211を制御する。このインターフェース211によって、制御情報は2つのケーブル・ヘッドエンド208の構成要素の間でやりとりされる。標準的なRS232又はRS422のリンクや、IEEE488のバス又は他のインターフェース媒体が用いられる。標準的な動作の間には、番組制御情報がこのインターフェース211を通過して、信号プロセッサ209からネットワーク・コントローラのCPU224に至る。衛星を用いての通信も可能である。ネットワーク・コントローラ214のCPU224は、データベースに記憶されたデータに基づいて番組制御情報信号を処理する。この処理は、番組制御情報を修正して地域的な番組編成ニーズに対応することを含む。 Information necessary to operate the network controller is stored in the database and local memory at the subscriber’s set-top terminal The network controller CPU controls the interface between the network controller and the signal processor This interface allows control information to be exchanged between the two cable headend components.

Standard RS or RS links, IEEE buses or other interface media are used. During standard operation, program control information passes through this interface and goes from the signal processor to the CPU of the network controller.

Communication using satellites is also possible. The CPU of the network controller processes the program control information signal based on the data stored in the database. This process includes modifying the program control information to meet regional programming needs. 好ましくは、信号は圧縮されたフォーマット(たとえば、MPEG)で加入者の家庭に送られ、視聴前に圧縮解除される。伝達される番組信号には、加入者の家庭の装置が特定の番組を選択するためのメニュを表示することを可能にする情報が含まれる。この特定の実施例によれば、テレビ番組信号は、同軸ケーブル、ファイバ・ケーブル、ツイストペア(撚対線)、セルラ電話接続、衛星又はパーソナル通信ネットワーク(PCN)などの1つ又は複数の接続を介して、加入者の家庭に送信され得る。 Preferably, the signal is sent to the subscriber’s home in a compressed format eg, MPEG and decompressed prior to viewing.

The transmitted program signal includes information that allows the subscriber’s home device to display a menu for selecting a particular program. According to this particular embodiment, the television program signal is transmitted via one or more connections such as coaxial cable, fiber cable, twisted pair, cellular telephone connection, satellite or personal communications network PCN.

Can be sent to the subscriber’s home. セットトップ端末220が、ケーブル・ヘッドエンド208から信号を受信し加入者のために処理することを示している。セットトップ端末220は、ローカルなコンピュータ・メモリと、デジタル圧縮された信号を解釈して加入者用のメニュを作成する能力とを有する。リモコン900は、加入者の選択をセットトップ端末220に伝達する。加入者の選択は、テレビ・スクリーン上に表示されたメニュや他のプロンプトに概ね基づく。 3.番組制御情報信号の修正 以下のテーブルA〜Cには、番組制御情報信号において、セットトップ端末220に送られ得る情報の例を示す。オペレーション・センタ202によって発生される番組制御情報信号は、番組のスケジュールと説明とに関するデータを提供する。番組制御情報信号は、ネットワーク・コントローラ214を介して送られ、又は別の構成では、直接に、加入者への表示のために、直接にセットトップ端末220に送られる。好適実施例では、番組制御情報信号はネットワーク・コントローラ214によって記憶され修正され、セットトップ端末制御情報ストリーム(STTCIS)の形式でセットトップ端末220に送られる。この構成は、他のことに加えて、個々のケーブル・システムにおける差異、及びセットトップ端末220デバイスの間の差異に対応できる。 The set top terminal is shown receiving signals from the cable head end and processing them for the subscriber.

The set top terminal has local computer memory and the ability to interpret digitally compressed signals and create menus for subscribers. The remote control transmits the subscriber’s selection to the set top terminal Subscriber selection is largely based on menus and other prompts displayed on the television screen.

Correction of Program Control Information Signal Tables A to C below show examples of information that can be sent to the set top terminal in the program control information signal. Program control information signals generated by the operations center provide data relating to program schedules and descriptions.

The program control information signal is sent via the network controller or, in another configuration, directly to the set-top terminal for display to the subscriber. In the preferred embodiment, the program control information signal is stored and modified by the network controller and sent to the set top terminal in the form of a set top terminal control information stream STTCIS. This configuration, in addition to others, can accommodate differences in individual cable systems and between set-top terminal devices.

番組制御信号を用いて送信され得る情報のタイプは、番組カテゴリの数、番組カテゴリの名称、(特別チャンネルなどの)特定のカテゴリに指定されているチャンネル、チャンネルの名称、各チャンネルでの番組名、番組開始時間、番組の長さ、番組の説明、各番組に対するメニュ指定、料金、番組広告のためのサンプルのビデオ・クリップがあるか、他の番組やメニュや作品に関する情報、などである。 The type of information that can be transmitted using the program control signal includes the number of program categories, the name of the program category, the channel specified for a particular category such as a special channel , the name of the channel, and the name of the program on each channel.

Program start time, program length, program description, menu designation for each program, fee, sample video clip for program advertisement, information about other programs, menus and works, etc. この簡単な実施例において、これらのメニュ・コードを含む番組制御情報は、オペレーション・センタ202からネットワーク・コントローラ214に連続的に送られ、最終的にはセットトップ端末220に送られる。例えば、4時間に相当する番組情報は、テーブルAに示されるように、番組制御情報信号を介して連続的に送られる。 In this simple example, program control information including these menu codes is continuously sent from the operations center to the network controller and ultimately to the set top terminal For example, as shown in Table A, program information corresponding to 4 hours is continuously sent via a program control information signal.

表1に示されているテーブルAには、セットトップ端末220によって送られる基本的な番組情報を示す。示されている番組説明は、符号化された省略記号である。例えば、Cはコメディー、Nはニュース、Sはスポーツ、Aは漫画、TXはテキストを表す。映画のように番組のためのテキストによる説明がある場合には、その説明は、番組の符号化された説明の後に与えられるか、又は、4時間に相当する番組情報の後に通信される。符号化されたリストに示されているように、30分よりも長い番組に対する番組説明は、(各30分毎に)繰り返される必要はない。ビデオ(映像)説明コードは、セットトップ端末220に、番組を広告するために利用できる静止映像やライブの映像が存在するかどうかを知らせる。 Table A shown in Table 1 shows basic program information sent by the set top terminal The program description shown is an encoded ellipsis.

For example, C represents comedy, N represents news, S represents sports, A represents comics, and TX represents text.

If there is a text description for the program, such as a movie, the description is given after the encoded description of the program or communicated after the program information corresponding to 4 hours. As shown in the encoded list, program descriptions for programs longer than 30 minutes need not be repeated every 30 minutes each. The video video description code informs the set-top terminal whether there is a still video or a live video that can be used to advertise the program.

Michigan State University vs. South Carolina University is designated. The letter B designates the program as category B, that is, sports. The second alphanumeric character 3 designates this program as a third menu in the sports category.

The third character of the code 5 designates this program in the fifth program time zone slot on the third menu. The next four characters, , represent the program start time, program length, and program name. This entry represents a college football game, a sports program broadcast at 4 pm on New Year’s Day.

テーブルAの12:30のチャンネル1エントリーには、2つのメニュ・コードが示されている。2つのメニュ・コードを許可することによって、2つの異なったカテゴリの説明の下で適合し得る番組を、加入者に対する両方のメニュで表示することができる。この最小量の情報がセットトップ端末220に規則的に伝達されることにより、セットトップ端末は、各番組に対する適切なメニュ位置と、メニュ選択後に加入者のために付勢する適切な時間及びチャンネルとを決定できる。 In the channel 1 entry of table A, two menu codes are shown.

By allowing two menu codes, programs that can fit under the description of two different categories can be displayed in both menus for the subscriber. This minimum amount of information is regularly communicated to the set-top terminal so that the set-top terminal has the appropriate menu location for each program and the appropriate time and channel to be energized for the subscriber after menu selection.

Can be determined. As shown in Table B, the three columns of the event table identify the field number, the field itself, and the type of information downloaded to the Event Data file.

The first column includes field numbers The middle column shows the corresponding field parameters with event type, event ID, global overall channel ID, price, start time, end time, start date, end date, P-icon, name, and description including.

The third column contains the corresponding field type information. Field type information typically consists of unsigned integers, hours, minutes and seconds, months, days and years, and ASCII character identifiers. In particular, Table C shows two data streams corresponding to two event types.

The first data stream identifies the event in the first field. The second field specifies the event ID included in this example. The third field contains 2 which is the global channel ID number.

The fourth field shows the cost of 50 cents for this event. The fifth and sixth fields indicate the start time and end time from 3 am to 3 pm, respectively. The ninth field indicates a P-icon set in the graphics file.

Finally, the tenth and eleventh fields indicate the name and description of the selected event, here the Saseme Street R and Barney R. Can be specified as an event. 番組制御情報信号(及び、STTCIS)は種々の方法でフォーマットすることができ、画面上のメニュは多くの異なった方法で作成できる。例えば、番組制御情報信号がメニュ・フォーマット情報を搬送していない場合には、メニュを作成するメニュ・フォーマットは、セットトップ端末のROMにおいて固定することができる。この方法によって、番組制御情報信号がより少ない情報を搬送することが可能になる。しかし、この方法は、ROMを物理的に交換することなしにはメニュ・フォーマットを変更できないので、最小の適応性(フレキシビリティ)を有することとなる。 Program control information signals and STTCIS can be formatted in a variety of ways, and menus on the screen can be created in many different ways.

For example, if the program control information signal does not carry menu format information, the menu format for creating the menu can be fixed in the ROM of the set top terminal. This method makes it possible to carry information with fewer program control information signals. However, this method has the least flexibility because the menu format cannot be changed without physically replacing the ROM.

番組制御情報信号を送信するのに必要となる帯域幅の量を制限するために、ブロック・コーディング、輪郭(contour)コーディング、ブロブ(blob)エンコーディング、ランレングス・エンコーディングなどの非映像に対して用いられる種々の圧縮技術が用いられ得る。更に、番組制御情報信号は、テキスト及びグラフィクス、又は、映像、テキスト、及びグラフィクスに分割され、必要であれば、テキスト発生器、グラフィクス圧縮解除装置、及び映像圧縮解除装置を用いてセットトップ端末220において再合成し得るデータを含む。 Used for non-video such as block coding, contour coding, blob encoding, run length encoding, etc.

to limit the amount of bandwidth required to transmit the program control information signal Various compression techniques can be used.

Further, the program control information signal is divided into text and graphics, or video, text, and graphics, and if necessary, the set-top terminal using a text generator, graphics decompression device, and video decompression device. Contains data that can be recombined. 好ましくは、メニュ駆動型の番組選択システムが、カーソル移動に関してはリモコン900を用いて一連のメニュ内を移動することによって、加入者が番組を選択することを可能にする。一連のメニュにおける最終的な選択は、1つの特定のチャンネルとそのチャンネルの付勢の時刻を識別する。チャンネルと付勢の時刻とによって、セットトップ端末220は、視聴者に対してテレビ上で選択された番組を表示することができる。この目的を達成するためには、ある単純な実施例が、各番組に、インテリジェントな英数字コードを指定する。この英数字コードは番組のカテゴリと、番組がその中に表示されるべきメニュと、その送信時間と、番組が表示されるべきメニュ上の位置と、を識別する。 Preferably, the menu driven program selection system allows the subscriber to select a program by moving within a series of menus using the remote control for cursor movement.

The final selection in the series of menus identifies one particular channel and the activation time for that channel. Depending on the channel and the time of activation, the set-top terminal can display the selected program on the television for the viewer. To accomplish this goal, a simple embodiment assigns an intelligent alphanumeric code to each program.

This alphanumeric code identifies the category of the program, the menu in which the program is to be displayed, its transmission time, and the location on the menu where the program is to be displayed. 好適実施例においては、メニュ・フォーマット情報は、セットトップ端末220における一時的なメモリ、すなわちRAM、FLASH ROM、EEPROMあるいはEPROMに記憶される。この構成は、番組制御情報信号を介して伝達されることが必要な情報量をさらに制限する一方で、メニュ・フォーマットに所望の適応性(フレキシビリティ)を与えている。新たなメニュ・フォーマット情報は、メニュが変わる毎に、番組制御情報信号を介して、セットトップ端末220に送ることができる。 In the preferred embodiment, the menu format information is stored in a temporary memory in the set-top terminal , ie, RAM, FLASH ROM, EEPROM or EPROM.

This configuration further limits the amount of information that needs to be transmitted via the program control information signal, while giving the menu format the desired flexibility. New menu format information can be sent to the set-top terminal via a program control information signal each time the menu changes. グラフィクス・メモリ628に記憶されたメニュ・フォーマット情報に加えて、セットトップ端末220は、また、視聴のために選択された番組をトラッキングするデータを記憶する。このデータを集めることによって、セットトップ端末220は、EEPROMやRAMにデータを記憶することによりアクセスされ/視聴されるすべての番組の正確な記録を保持することができる。その後、このデータはケーブル・ヘッドエンド208に送信され、そこで、ネットワーク制御及びモニタ機能を実行する際に使用される。セットトップ端末220とケーブル・ヘッドエンド208との間のそのようなデータ送信は、例えば、ケーブル・ネットワーク上のアップストリーム送信を介し、又は電話モデム用いて電話回線上で、行われる。ケーブル・ネットワーク上でのアップストリーム送信を使用しているところでは、セットトップ端末220は、スケジュールに基づいて、又は、必要な度に、データ送信を完了させる。 In addition to the menu format information stored in graphics memory , set top terminal also stores data that tracks the program selected for viewing.

This data is then transmitted to the cable headend where it is used in performing network control and monitoring functions. Such data transmission between the set-top terminal and the cable headend is performed, for example, via upstream transmission over a cable network or over a telephone line using a telephone modem. Where upstream transmission over a cable network is used, the set-top terminal completes the data transmission based on a schedule or as needed.

視聴者が見たそれぞれの番組を識別する番組アクセス情報は、情報検索に対してネットワーク・コントローラ214によってポーリングされるまで、各セットトップ端末220に記憶される。この情報は、図4aに示したようなポーリング要求メッセージ・フォーマット920を用いることにより、達成され得る。このフレーム・フォーマット920は、(1)メッセージの最初の先頭(リーディング)フラグ922、(2)アドレス・フィールド924、(3)加入者の地域指定926、(4)ポーリング・コマンド/応答(又はP/F)ビット930を含むセットトップ端末の識別子928、(5)情報フィールド932、(6)メッセージの最後の追跡(トレーリング)フラグ934、という6つのフィールドから成る。 Program access information identifying each program viewed by the viewer is stored at each set-top terminal until it is polled by the network controller for information retrieval.

This information can be achieved by using a poll request message format as shown in FIG. The address field specifies a 4-bit address for a given set top terminal The subscriber’s area designation is a 4-bit field indicating the geographical area where the subscriber’s set-top terminal is located.

In this example, field sizes are given, but various sizes can be used in the present invention. Frame format also provides a variable length information field for other data communications, such as information regarding system updates. As described above, the frame format ends with the same 8-bit flag that is, the tracking flag as the format for the leading leading flag Other frame formats will be apparent to those skilled in the art and can be easily adapted to be easily used with this system.

任意のこのようなポーリング要求メッセージ・フォーマットを用いて、ネットワーク・コントローラ214は、各セットトップ端末220に問い合わせを行う。セットトップ端末220は、一意的なアドレスとセットトップ端末の識別子とによって識別される。セットトップ端末220は、ネットワーク・コントローラ214による許可が与えられた場合にだけ情報とメッセージとをネットワーク・コントローラ214に送信することが好ましい。 Using any such polling request message format, the network controller queries each set-top terminal The set top terminal is identified by a unique address and an identifier of the set top terminal.

The set-top terminal preferably sends information and messages to the network controller only if permission is granted by the network controller Assign Tesselator to a stomp footswitch.

It’s bypassed by default. Play a chord and while it’s ringing, press the Tesselator switch. Audio captured BEFORE the switch press is repeated and manipulated by the following parameters: First —Determines the length of the first step in the sequence, that is, the length of repeated audio when first engaged.

Press the knob to toggle between ms and note values Last —Determines the length of the last step in the sequence. If shorter than the First step’s time, the sequence will get shorter; if longer than the First step’s time, the sequence will get longer. If First and Last are the same time, the sequence length remains constant Ex. For example, if your first step is ms and your last step is ms, each successive step in the sequence will lengthen from ms to ms. The more steps you have, the longer it takes to reach the last step and therefore, the longer it takes to alter the sequence’s characteristics Direction —Determines the direction of the steps: Forward: Each step plays back normally Ex.

When on, all steps play forward, then backward, then forward again, etc. TIP: With Tesselator on a parallel path, assign a second stomp switch to toggle between Mute All and Dry Kill.

Disabled unless Ramp is set to “Speed” Pitch —Sets the target pitch for the last step. For example, if set to “”, the last step will be an octave lower than the first step.

Disabled unless Ramp is set to “Pitch” see Ex. Sets the high-pass low cut filter target for the last step. For example, if set to a higher value, each successive step will filter out more bass until the last step of the sequence LP Filter —Very different from Helix’s traditional Low Cut and High Cut filters. Sets the low-pass high cut filter target for the last step. For example, if set to a lower value, each successive step will filter out more treble until the last step of the sequence Ex.

More charts and diagrams! Assign Ratchet to a stomp footswitch. While playing, press the Ratchet switch. Audio captured AFTER the switch press is repeated for as long as the block is enabled. For this reason, it may be best to make the switch momentary, and only step on the Ratchet switch when you change chords, almost like a rhythmic sustain pedal.

FX Level —Controls the level of the looped audio Level —Controls the overall output level of the block Time —Predetermines the length of the audio to be recorded and looped. TIP: With Ratchet on a parallel path, assign a second stomp switch to toggle between Mute All and Dry Kill.

Decay —Sets the decay of the reverb 0. Can sometimes result in more definition between the dry and effected signals Damping —Determines the frequency above which the reverb will be absorbed. For example, if your hall is full of people wearing fake ocelot jumpsuits, more high frequencies would be absorbed than if the room were empty Mot Rate —Motion Rate, or how fast the echoes’ intensity changes, due to changes in plate tension or temperature MotRange —Motion Range, or how much the internal delays change.

Values below 0. For example, if your room is full of people wearing foam high school mascot costumes, more high frequencies would be absorbed than if the room were empty Diffusion —Sets the amount of smearing between discrete echoes, sometimes resulting in a softer effected signal Mot Rate —Motion Rate, or how quickly the room’s shape may be changing, due to people moving, doors opening or closing, etc.

Type —Determines the type of shimmer effect applied. TIP: Assign Type to a footswitch or snapshots to try both within the same preset “Luster”—More of a traditional, reverb pedal-type shimmer effect with tighter definition in the lustery bits “Sheen” default —More of a lush, studio plugin-type shimmer effect with a massive, sheeny bloom Pitch 1 —Sets the interval of the first pitchshifter. Set to “Oct Up” for more traditional shimmer sounds; set to “Oct Down” for something a bit creepier.

Note that Pitch 1 and Pitch 2 have 0. Can sometimes result in more definition between the dry and effected signals Room Size — Sets the size of the room 10, 20, or 30 meters Damping —Determines the frequency above which the reverb will be absorbed Diffusion —Sets the amount of smearing between discrete echoes, sometimes resulting in a softer effected signal Motion —Sets the amount of randomization, which can be helpful to minimize any metallic artifacts common in static reverbs.

At higher values, can impart a bit of modulation to the effected signal Low Cut — Applies a low cut or high pass filter to the reverb, letting you remove the effected signal below a certain frequency High Cut — Applies a high cut or low pass filter to the reverb, letting you remove the effected signal above a certain frequency Level —Controls the overall output level of the block Trails —When set to “Off,” the reverb decay is instantly muted when the block is bypassed.

Equipped with a dual gain circuit, the MT-2 provides amazing sustain plus heavy mids and lows similar to a stack of overdriven amps. It creates changes in tone by randomly emphasizing certain frequencies. Use the Q and Freq parameters to set the character of the sweep and adjust Depth to go from subtle to full on freak out. Bubble Echo has a sample-and-hold filter on the repeats. The harder you pick, the brighter the sound.

We somehow had two separate effects called “Synth String”—one from POD Farm 2. These are cool combinations of saw and square waves with fast vibrato. These are all sweeping low pass filter effects with the resonance set high. Ring modulators take two signals one supplied by your guitar, the other supplied by the effect then adds and subtracts similar frequencies.

The only limiting factor is that the pitch of the signal provided by the effect is constant. This effect has an oscillator that tracks the pitch of your guitar. These are great for funky synth guitar or bass lines. There are two synth waves at work here.

Your first two parameters allow you to choose a pitch interval of your original note played. Any parameters you’ve assigned to CCCC81 will have to be remapped Encoder ballistics have been improved. For parameters with hundreds of values, you can now go from Min to Max in a couple of turns Bug Fixes in 3. HX Edit HX Edit Version 3. Trails —When set to “Off,” delay repeats are instantly muted when the block is bypassed. Mod Rate —Controls the rate or speed of modulation Mod Depth —Controls the depth or amount of modulation Shape —Sets the modulation’s wave shape Sine or Triangle Phase —Determines the modulation’s phase relationship between the two delay lines.

Helix Native Helix Native Version 3. Compatible OS: Mac OS X, macOS Sierra, macOS High Sierra, macOS Mojave, macOS Catalina, macOS Big Sur, macOS Monterey 71 MB. Drivers Version 1. Compatible OS: Mac OS X, macOS Big Sur, macOS Monterey 2 MB. Spider V Remote Spider V Remote Version 2. Compatible OS: Windows 7, Windows 8, Windows 10, Windows 11 89 MB.

Drivers Line 6 Helix Driver2 Version 1. Compatible OS: Mac OS X, macOS Big Sur, macOS Monterey 5 MB. How do I update to 1. The software will walk you through the entire procedure, including backing everything up to your computer, updating POD Go Edit, and updating the firmware.

NOTE: We decided to slightly alter the model so that at lower settings, the Drive knob’s taper exhibits a smoother transition into distortion. Turns out our Vermin Dist model was broken. We were going to replace it completely but a bunch of people had presets with the old version.

On top of that, we found out our RAT’s LM chip had crapped out since we modeled it last so we decided to get it into perfect working order and start from scratch. This signal can be distorted, filtered to sound older or more lo-fi, and modulated with wow and flutter.

Wow Fluttr —Determines how much warbly tape sound is heard Saturation —Adds analog tape saturation and at high enough settings, distortion. At lower settings, it’s great for simply warming up a tone Low Cut —Determines the frequency of the Low Cut High Pass filter. At higher settings, can provide a lo-fi effect High Cut —Determines the frequency of the High Cut Low Pass filter. At lower settings, can provide the natural high-end roll-off of old tape Tape Speed —Changes both the rate of the modulation applied by the Wow Fluttr control and the filtering response of the analog tape emulation Level —Sets the overall level of the block Texture —Adjusts the amount of the NAB tape EQ in the simulated tape path.

Creates multitap patterns by setting the length of the pattern Steps and the number of taps Fill in the pattern. The Euclidean algorithm spaces taps as evenly as possible throughout the pattern, resulting in rhythms from traditional to highly complex. Settle in because this one’ll require diagrams and charts and whatnot. Step Time —Sets the time between steps. If Fill is higher than Steps, the extra taps are ignored Rotate —Rotates all fills forward by the same amount ; see diagram below.

Label it “ForEVER ever? Can sometimes result in more definition between the dry and effected signals Room Size —Sets the size of the hall 10, 20, or 30 meters. NOTE: This parameter actually changes the algorithm so you’ll hear a small bump when changing it.

 
 

Logic pro x recording latency compensation free download.Working with Plug-in Latency Compensation

 

This software is subject to the terms and conditions of the accompanying End User License Logic pro x recording latency compensation free download. This software is provided only for use with, and for licensed End Users of, the disguise hardware.

Any other use of this software is strictly prohibited and may subject you to legal action. この新しいリリースでは、業界のエキスパートや disguise ユーザーグループとのコミュニケーションに基づき、使用頻度の高い機能から改善しました。. View the r21 release notes here. View the r20 release notes here. View the r View the r19 release notes here. View the r18 release notes here.

View the full r Please contact support disguise. one for feedback and issues. Download r r17 includes a number of significant changes to workflows, and it is advised that you read through these logic pro x recording latency compensation free download notes carefully before upgrading existing projects to ensure there is time to validate the project before roll up is completed. The r Download DSOF – Fixed and issue where the Parallel mapping plane in the visualiser did not render.

We have reports of users experiencing audio clicking or logic pro x recording latency compensation free download. Release However, we recognise that this has not been completely cleared up. Audio clicking may still be prevalent on higher frequency sounds. If you experience this try the following workarounds:.

Additionally, under heavy load, if a project starts to drop frames this may have a knock-on effect on the audio, especially if embedded into a video file.

If you have already sequenced your project in x and want to downgrade the project to an earlier release prior to the audio issues, there is a special version of Version Although the layer supports higher numbers of grid points, this comes with the consequence logic pro x recording latency compensation free download taking longer to load on project start but will not delay the project itself. It is http://replace.me/9888.txt not to exceed 64 grid points.

Doing a rig check from simulated plan to actual cameras for the first time can result in the physical cameras being not found. Workaround: run the rig check with simulated cameras. Download r15 Launch Changelog. Failure to start the project if a vx 4 is a Slave to a gx or pro range Master. More robust handling of HDMI cards to ensure they get recognised at startup.

Intermittent failure to start caused by HDMI VFC cards clashing with nvidia enumeration evident particularly on gx 2s. These four have potential fixes identified, but logic pro x recording latency compensation free download to go вот ссылка the process of code review and verification. These two are still under investigation. For more information on any of the following please contact support quoting the DSOF compensatiom of the issue. If you encounter any logic pro x recording latency compensation free download bugs or issues please let us know through the frew platform.

Issue: Renderstream and the Colour Calibration in the xR workflows does not work on gx1, gx2, or 2×4 hardware. Workaround if known : New Operating System will be released in Q2 OR enable project setting disableColourCalAcceleration to fall back on software only calibration. Issue: DSOF – GPU throttling on RTX range can cause frame drops in scenes with low GPU load.

Workaround if known : Change power management mode manage logic pro x recording latency compensation free download settings in NVIDIA Control Panel to “Prefer Maximum Performance”. Issue: DSOF – If colour management is set to ACES, crossfade transitions has a strange brightness and pops. Issue: DSOF – Multi User Edit in UE requires preferred sync adapter to be set to a network adapter which is available to all machines.

Workaround if known : Dree the preferred sync adapter is set to the 25Gb network to facilitate faster sync. Unless all machines in the network have a 25Gb adapter, the preferred sync adapter нажмите для деталей be set to another network adapter when multi user edit sessions are running in UE.

The adapter can be changed back for when running sync tasks. Issue: DSOF – Logoc NCAM data implementation used can exhibit unreliable packet timing.

Issue: DSOF – Remote install to multiple machines logic pro x recording latency compensation free download fail to re-install after un-install at the remote machine. Issue: DSOF Default ACES configuration: Latfncy defaults to sRGB, OUTPUT will maintain ACES transformation. Issue: DSOF When arrowing Renderstream into blur layer when spatial mapped stops Renderstream updating in spatial s.

Workaround if known : No workaround as 3d viewport data recordinng not persist over arrows or pre-comps. Issue: DSOF Clustered Rendering: d3service requires restart for asset discovery to work on new Unity executables. Issue: DSOF – Feed mapping editor shows white compensatiion in a notch layer on first use. In subsequent latenxy it will then show the first pixel. Issue: DSOF – Editor machines with a user account linked to an Microsoft Account can’t join d3 sessions due to permissions errors.

Workaround if known : Instead of compensatipn a screen set to backplate render over the top of the MR Set backplate in d3, composite the additional backplate screen content in the render engine. Issue: DSOF – Looping within a section with loop play mode occasionally plays content of first frame in next section. SDI VFCs are unable to achieve a guaranteed genlock comppensation an interlaced genlock signal. Ссылка на подробности is due to the feee in which the sync cards recordimg both AMD and NVidia GPUs detect genlock signals.

Firmware version 1. To properly use this feature, you will need to have the relevant equipment to be able to measure the phase of the SDI output. Any Q-SDI VFC shipped with firmware 1. disguise OS Image Version The OS update rolls up windows to version 21H2 bringing with it significant changes to the Windows operating system. It is an update that allows us to provide improved Nanite support in Unreal Engine 5.

Windows 21H2 is the precursor to Windows 11; packed with logic pro x recording latency compensation free download and all the latest security updates to mid April Welcome rx, to the next generation of disguise OS. Part 1 — 4GB Part 2 — 4GB Part 3 — MB. This will recover your OS to your current version using the recovery partition. disguise OS Image Version A. This is a minor bug fix update built on OS It includes fixes to the UAC for d3 remote install and mellanox driver fixes for renderstream licensing.

Base OS includes cumulative security updates to March and the latest available non-DCH NVIDIA driver from Jan rx OS A – Release Notes — 85 KB rx OS A – Part 1 — 4 GB rx OS A – Part 2 — 4 GB rx OS A – Part 3 — GB. Please note this OS does not support Nanite and may have some bugs with mellanox connectivity. This cumulative OS update includes the latest system drivers recommended and tested by the disguise team built with the latest windows security updates. Please Note: A new vx12 Latecy is currently scheduled for release on the 16th June This OS will include a major update to d3, renderstream and mellanox drivers as well as an updated NVIDIA driver to support Notch blocks.

DO NOT DOWNGRADE TO THIS OS, as new versions of the OS include an SMC посетить страницу update that if downgraded will brick the SMC OLED. disguise OS This OS has no previously recorded release notes. Please use at your own risk. disguise OS Image Version F. We recommend everybody running on OS to update to this version. The OS update reverts the AMD graphics to the previous version found in OS v.

It includes Windows cumulative, security, and driver updates available up to February minus KB as recommended and tested by the disguise team. Driver updates include the Mellanox driver and firmware to support improved data flow.

Included is our latest SMC firmware which improves IMPI security and OLED character display for the vx range. The management port at the back of the vx 4 media server is not a network adapter and should not be connected to a switch. This device is displayed as disguiseMGMT or MGMT in the list of network adapters and utilises the device known as Intel I Gigabit Network Connection 2.

Several disguise services rely on this logic pro x recording latency compensation free download to configure and manage hardware such as the OLED and VFC backplane through d3. It is important that this network adapter is not utilised nor the IP v4 address changed. To help highlight this we have changed the name of the adapter port on the new OS from MGMT to disguiseMGMT. If your Mellanox card is not взято отсюда with Rivermax after update please contact support with the serial number of the Mellanox card.

Find out more about SMC in our user на этой странице. At disguise, we release OS image updates as follows: Base version number etc will always contain all the drivers as listed above.

 

JPB2 – Network controller for cable TV distribution system – Google Patents

 
Status and billing information is sent from the set-top terminal directly to the network controller at the cable headend frwe than directly to the operations center Please click here for installation instructions. The program delivery system transmits a digital signal to the cable head end where the signal is transmitted via a connected cable television system Driver updates include the Mellanox driver and firmware to support improved data flow.

 
 

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