Ableton Live – Free download and software reviews – CNET Download
Audio sequencers , also known as DAWs Digital Audio Workstations , were traditionally programs that were hard to handle for average users, due to the need to include the maximum amount of features possible and specially, to offer the best sound quality.
That was until Ableton Live was launched. Welcome to the most versatile and intuitive program of the sequencer market. Ableton Live is a multitrack audio station with MIDI support focused on live music gigs, yet equally valid to work in a studio. Record, edit and mix music in a revolutionary way. Music producers, DJs, live musicians Any sound professional will be able to know how to obtain what he needs from Ableton Live.
Ableton Live allows you to create music of any genre. If you’re focused on live gigs, all you need is Session, also known as Clips view. It’s a non-linear mode in which you’ll be able to record and play your ideas immediately in the order of your choice , a very flexible way to compose with absolute freedom and improvisation.
Do you want to transfer all that workflow to a traditional project based on a timeline? Press the record button and register all the activity in real-time thanks to the Arrangement view. It’s the traditional way to work with audio sequencers, with the tracks divided vertically and the timeline to distribute the events.
With Ableton Live you’ll be able to combine both working methods to complete a music composing process which is unique to the date, offering extraordinary possibilities. Create music in a creative and intuitive way, combining improvisation with set guidelines. Ableton Live is a tool developed specially thinking about live performances Vote 1 2 3 4 5 6 7 8 9 Requirements and additional information:. The trial version can be used for 30 days. Minimum operating system requirements: Windows 7.
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Download Ableton Live for Windows 10, 7, 8/ (64 bit/32 bit)
The functionality of the Oxygen Pro control surface script has been drastically changed. Updated the bundled Max build to version 8. For a complete Max 8. Interface Improvements. Midi Recording and Editing. Improved Live’s history for Automation Mode.
It is now possible to edit the value of a time selection in an automation lane with no events. When right-clicking near the dotted line inside the selection, the “Edit Value” context menu command allows entering a value for the selected segment.
In automation lanes, the Automation Transform handles now snap at the top and bottom positions, and at the opposite top and bottom corner positions. Snapping is indicated by a less transparent frame color. Control Surfaces. Multi Clip Editing. New Devices and Device Improvements. Mousewheel zoom events now can resize all the highlighted content tracks in the Arrangement View.
Previously, this exclusively worked for tracks whose headers where selected. Live 10 Release Notes Specifically: The Rewind and Fastforward buttons will now rewind and fastforward the Arrangement position. Turning the Encoder will now scroll the Session frame up and down. Holding the Encoder down and turning it will scroll the selected Scene up and down. Fixed an issue where the Session frame was visible even when the hardware was not connected.
The faders now always control volume. The Faderport 16 still requires manual setup, but Faderport 16 and 16 XT will appear in the control surface dropdown menu. On Windows, pressing “Alt” in Live now shows Menu Accelerator Keys to open menu bar items, as is the behavior in standard Windows applications.
On Windows, Live once again detects if it could not create a directory because one already existed. Alternatively, if grouped prior to setting the MIDI routing between the two, Live would also crash when attempting to ungroup the pair once the routing was set.
Grouping and ungrouping within the device chain will now behave as expected. Full Screen mode is still available using the “F11” key. Previously, under certain circumstances, Live appeared to hang because the UI could not be drawn. Previously, installing many Live Packs at once caused Live’s installation dialog window to become too big and unable to be used properly.
Fixed an issue where the Track Solo feature of the Tranzport control surface script did not work correctly. Live will show and use. Fixed a crash that could occur during video export when using an external display as the primary display on MacBook Pro macOS. Live is compatible with Apple Silicon computers running Rosetta. With the Launchkey MK3 control surface script, it is now possible to continue playback by holding down the Shift button and pressing the Play button.
Previously, a visual glitch could appear around the Groove Pool selector button, under certain circumstances. Fixed an issue where a pending auto-update would sometimes not be applied after downloading. Note: this fix only affects auto-updates to future versions of Live.
Previously, the Operator device could crash or calculate inaccurate frequencies when its Fixed Mode and Spread parameters were enabled. Live’s window no longer turns red when loading a Set with missing plug-in devices.
Previously, Live would hang when turning its audio engine off, under certain circumstances. Fixed a bug that prevented certain low-resolution plug-in devices from scaling correctly on macOS. Fixed a crash that could occur when cancelling an “Export Audio” operation during the “Wait for silence” step. Fixed a crash that could occur when running certain plug-in devices.
When the Vestax VCM is detected by Live, its control surface script will now be automatically selected and set up. Shift-key functionality once again works as expected in the Clip View’s Sample Display. Previously, Packs would change icons upon being assigned a color in the browser. The Max device error view description text now follows Live’s selected theme. Fixed some bugs: – Certain VST3 plug-ins that are not defined as instruments e.
Previously, cropping an unwarped clip could produce a clip whose loop markers were outside the sample. When saving a Set for the first time, self-containing the Set or creating a Pack using Live’s File Manager, Live would incorrectly enable the Warp switch for such clips. Fixed a crash that could occur when using certain VST3 plug-ins.
Previously, when cropping an unlooped MIDI clip whose loop was outside the audible region, Live would hang when enabling the cropped clip’s loop. A memory leak and subsequent crash on macOS has been fixed when Live’s window is not being interacted with for a prolonged period of time. Every Push 2 user will get a firmware update to v. This firmware version fixes an issue that caused some displays to appear upside down. Metal support is disabled on OS X Added more Live theme colors to Max for Live.
When the Pedal device is disabled, the Pedal Type chooser switch now appears in the correct text color. When the Glue Compressor device is disabled, the text labels around rotary switches now stay in the same place. Updated various info texts, and improved some info text translations for Spanish and French languages. Bugfixes: Fixed hanging that could occur when dragging a compressed sample into Live, under certain circumstances macOS only.
Previously, an erroneous message would appear in the Status Bar when deleting an audio file within a folder in the Places section of the browser. Fixed lagging that occurred in the browser’s search field when the Sounds label was selected. Previously, a Macro Control’s range settings were not correctly updated when that Macro Control was being controlled by a Max for Live device.
On first start, Live now only selects Simplified Chinese as the UI language if either: – the operating system language is set to Simplified Chinese; or – the operating system region is set to the People’s Republic of China excluding Taiwan and special administrative regions such as Hong Kong and Macao. On macOS, if the operating system language is set to Simplified Chinese, Live now asks for permissions e. Live could crash when closing a window, a drop-down menu, or a context menu, under certain circumstances.
Pressing and releasing Clear will still delete the current clip. In the Launchpad Pro MK3’s Device Mode, the last selected parameter bank of each device instance will now be recalled upon reselecting the device instance.
When Live is set to Japanese, the formatting of lesson texts in the Help View is once again displayed correctly.
Previously, Live would not respond to mouse clicks if a dialog opened while another application was in focus macOS only. Previously, newly-created clips sometimes did not inherit their track color.
Devices In the Wavetable device, Undo commands performed on changes to user wavetables should now work as expected, and provide more meaningful undo descriptions for parameters that previously only displayed the default “Change Value” Undo action description. Previously in the Echo and Delay devices, the first repeats of the audio signal were repitched, under certain circumstances. Fixed an issue that caused intermittent dropouts in the DS Kick device.
Fixed a crash that occurred when loading Live Sets, under certain circumstances. Fixed a bug that created unintended fade-ins, under certain circumstances. Fixed the display and editing of continuous parameters in VST3 plug-in devices. Where supported, VST3 plug-ins now use a linear knob mode. Previously, Live’s Preferences were reset after updating to a new version, under certain conditions.
It is no longer possible to change parameter values in a Max for Live device, if the track containing that device is frozen. Info texts and Help View lessons now have Chinese translations.
Recording automation for multiple device or mixer parameters together will now result in less steps to undo on Push. While recording on Push, pressing the Fixed Length button near the end of a segment of time that corresponds with the Global Quantization setting will cause Live to wait until that amount of time is elapsed before stopping the recording.
When Push is connected, other control surfaces will no longer conflict with the automatic track arming behavior of Push. When using multiple Push control surfaces, they will no longer conflict with each other’s automatic track arming behavior.
In the Novation Launchpad Pro MK3 controller’s Device Mode, the last selected parameter bank of each device instance will now be recalled upon reselecting the device instance. Max for Live Default Max for Live devices now use live. Fixed a bug that prevented undo and redo operations upon creating a computer keyboard mapping, as well as redo operations after deleting a computer keyboard mapping.
Fixed a visual glitch that appeared when moving the mouse over an automation envelope. Previously when dragging a velocity marker, the mouse cursor would jump back to its initial position.
When using an encoder on a MIDI controller to control a device parameter with discrete values, the control functionality will no longer be inverted. Devices Previously, when instantiating an Audio Unit plug-in, Live would sometimes display an error message about a folder that could not be created.
Previously, after replacing a Max for Live device and then undoing the operation, the wrong device name would be displayed. Fixed a crash that occurred after unfreezing a track containing Wavetable, and then deleting the Wavetable device. Parameter banks in the Wavetable device will now be correctly mapped to control surfaces. Fixed a crash that occurred when selecting and freezing multiple tracks containing the External Instrument device. If a track with a plug-in device is unfrozen, has its plug-in parameters or preset changed, and is frozen again, it will now record new audio instead of using the old frozen audio file.
Max for Live devices that are not visible are now correctly notified of active state changes.
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Editors’ Review Download. Ableton Live is one of several digital audio products that have genuinely transformed the music scene in the past few years. The software is about as close as it’s possible to get to a computer-based sequencer that can be played live, like a real instrument. Recording and arranging audio is effortless with its elegantly designed interface, and its Arrange window makes composition just as enjoyable. MIDI composition and editing can be integrated seamlessly into compositions that also use prerecorded audio.
Adding effects and manipulating sounds in radical ways, all on the fly, is a snap, and the software supports third-party plug-in technologies including VST. Rewire functionality helps connect it to other sequencing software or applications such as Reason. The package comes with a snazzy software synth called Operator, which takes both visual and sonic inspiration from vintage analog synths.
Our only real objection is that, like most pro audio apps, Live’s learning curve has become increasingly steep with every release. Even the step-by-step instructions left us scratching our heads at times. But with virtually limitless capabilities, Ableton Live is one of the most captivating music-production packages on the market today.
Full Specifications. What’s new in version 7. Dynamic Tube Tube saturation for added harmonics and warmth. Envelope Follower Now in Live 11 Standard Use the envelope of any audio material to control device parameters.
EQ Eight Eight parametric filters with a variety of controls for shaping timbre. External Audio Effect A tool for integrating your external hardware effects into your Live Sets with the ease and flexibility of plug-ins. Filter Delay Three delay lines with independent filtering, feedback, stereo position, and more.
Glue Compressor Analog-modeled compressor based on the classic bus compressor from a famous 80s mixing console. Multi-band Dynamics Upward and downward compression and expansion of up to three frequency bands. Overdrive Distortion effect based on classic guitar pedals. Resonators Five parallel, tunable resonators that apply a tonal character to incoming audio. Shaper Now in Live 11 Standard A flexible envelope modulation device for creating custom modulation shapes.
Shifter Updated for Live Spectrum Realtime analysis and visualization of incoming audio. Vinyl Distortion Emulates the noise and distortion of vinyl records. Amp Emulates the sound and character of seven classic guitar amplifiers.
Cabinet Emulates the sound and character of five classic guitar cabinets. Color Limiter Another flavor of limiting inspired by the gritty sounds achievable with hardware limiters. The Saturation and Color parameters are the key to its characterful sound. Convolution Reverb Capture the characteristic reverb of real physical spaces with advanced sound shaping.
Corpus Updated for Live 11 Simulates the acoustic characteristics of seven types of resonant objects. CV Envelope Follower Use the envelope of any audio material to control device parameters. CV Shaper A flexible and envelope modulation device for creating custom modulation shapes.
CV Utility Merge multiple modulation signals to generate new shapes. Echo The sound of classic analog and digital hardware delays in a single device. Gated Delay A delay with a gate sequencer that sends the incoming signal to a delay line on activated steps.
Much like a send effect that is turned on and off in a defined rhythm. Hybrid Reverb New in Live 11 Combines convolution and algorithmic reverbs. Place your sounds in any space, from accurate real-life environments to those that defy physical reality. Pedal Brings the analog character of overdrive, distortion and fuzz stompbox effects. Pitch Hack A single delay line with transposition control, as well as the ability to reverse audio, randomize the transposition interval and fold the delayed signal back into itself.
PitchLoop89 New in Live 11 Create jittery glitch effects, delayed digital shimmers and outlandish vibrato with this Max for Live pitch shifting device created in collaboration with Robert Henke. Re-Enveloper A multiband envelope processor that divides the signal into three adjustable frequency bands. Attack and Release knobs control the responsiveness of the effect.
Spectral Blur Creates sounds and textures best described as reverb-like. A user-defined frequency range of a signal is blurred to create a dense, cloud of sound. Spectral Resonator New in Live 11 A sound mangling device that can make anything passing through it sound completely unlike the source material. Use the MIDI sidechain input to process material in key with its surrounding musical elements — like playing an effect as if it were an instrument.
Spectral Time New in Live 11 Re-synthesize your sounds and feed them into a network of filters, dynamics, reverb and delay, to add metallic echoes, pitch shifting and space to any sound source. Freeze the sound to capture and hold a slice of the audio and alter its characteristics in real time.
Surround Panner Multichannel Panning device for surround mixing with multi-channel speaker setups. Arpeggiator Takes individual notes from a held chord and plays them as a rhythmical pattern. Rotating Rhythm Generator Create organic rhythms and experiment with modular style beat generation. Melodic Steps A fast and intuitive MIDI sequencer for evolving melodies with an interface designed to encourage experimentation and new discoveries through play.
Unique Session View for quick, intuitive composition, flexible performance and improvisation. Nondestructive editing with unlimited undo. Powerful MIDI sequencing of software and hardware instruments. Advanced warping and real-time time-stretching. Group tracks Use multiple levels of groups to mix with greater flexibility and manage detailed arrangements more easily.
Comping New in Live 11 Record multiple takes of a performance, then combine the best ones. Linked-track editing New in Live 11 Link two or more tracks to edit their content simultaneously. Multiple automation lanes.
MIDI Polyphonic Expression New in Live 11 Add bends, slides and pressure for each individual note in a chord, add subtle expression variations, morph between chords and create evolving sonic textures more easily. Tempo Following New in Live 11 Live listens to and adjusts its tempo based on incoming audio in real time, making it a dynamic part of the band instead of the tempo source that everyone has to follow. Note Chance New in Live 11 Set the probability that a note or drum hit will occur and let Live generate surprising variations to your patterns that change over time.
Velocity Chance New in Live 11 Define ranges for velocity probability for subtle, humanized variations in the dynamics of your patterns. Automatic plug-in delay compensation. MIDI remote control instant mapping. MIDI output to hardware synths. Ableton Link A technology that keeps instances of Live and a growing collection of iOS apps in time over a wireless network. Instrument Racks Updated for Live 11 Combine multiple instruments and effects into a single device, allowing for split and layered sounds with customized Macro controls.
Scenes Updated for Live Audio inputs Mono audio input channels. Audio outputs Mono audio output channels. Complex warp modes Advanced algorithms for stretching audio, ideal for working with mixed audio or full tracks. Audio-slicing Slice audio to a Drum Rack or Sampler instance. Max for Live Powers a range of instruments and devices in Live Suite, and lets you customize or build your own devices, change the way Live works, and connect Live with the world around it.
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